![]() ![]() State of Maryland Announces 2023 Heritage Award Winners Lerner highlighted the increasing relationship between, and impact of, art and tech in a fundraiser blurb for an unrelated project she’s curating. The Rubys share a name with Ruby Lerner, whose work creating New York City-based holistic arts support program Creative Capital inspired the grant program. In an email release, the Deutsch Foundation invited artists - and, seemingly aspiring technologists with artistic projects in mind - to submit new proposals in four categories: literary, visual, performing and media arts. Last granted in 2021 and known as “the Rubys,” the program has always maintained the goal of providing financial support for Baltimore-based artists who are working on innovative projects that could significantly impact their communities. Deutsch Foundation, The Rubys Artist Grant program is relaunching in the Baltimore area with a new two-phase application process for its 2023 grant cycle. ![]() Published March 6 in Technical.ly BaltimoreĮxcerpt: Established in 2013 and stewarded by the Robert W. The work and the manner of its meeting remind us: it matters whom we trust.īaltimore artists: The Rubys, professional development, networking and grant funds? Oh my! Likewise, the seven artists–Sanah Brown-Bowers, Oletha DeVane, Dave Eassa, Alex Ebstein, Toskago, Elena Volkova, and Andersen Woof–were assembled on the basis of personal introduction to the gallery over the two years since CPM has moved to Baltimore. ![]() Like the 2008 Swedish vampire film for which it was named, this show explores the power of thresholds, invitations, and the distinction between external appearance and internal condition. Let the Right One In, a group show of seven Baltimore artists at CPM Gallery, is a collection that rewards curiosity and second impressions. If you’re curious enough to walk up to it, you’ll see a tintype photograph by Elena Volkova of another assemblage–a paper crane resting atop a pile of small objects. As you move around the sculpture, a small black square becomes visible on a landing halfway up a set of stairs. Minimum Displacement was inspired in part by Picasso’s similar series of long-exposure “light drawings” captured by Albanian photographer Gjon Mili for Life Magazine in 1949.Įxcerpt: Entering the gallery, you are confronted by the glassy-eyed gaze of a taxidermy crow, perched atop Oletha DeVane’s delicate, black assemblage sculpture. According to the artist, Maximum Distance. The golden objects in the display case are 3-D versions of the light drawings. Through long exposures, Hemphill photographically documents the formations made by the apparatus and names the finished products after the rappers whose lyrics were processed, including Jay Z, Missy Elliott, and Nas. Locational cues, as in direct references to places, culled from hip-hop lyrics were translated into commands for a robotic arm gripping an LED light to create curvilinear “light drawings” in the air. Minimum Displacement comprises an installation of black-and-white photographs and a vitrine showcasing small golden sculptures, similar to the images on the walls. With Rap Research Lab, on view at the Center for Art, Design, and Visual Culture (CADVC) at the University of Maryland, Baltimore County (UMBC), technologist and multimedia artist Tahir Hemphill takes hip hop as his object of study.Ĭurated by Rebecca Uchill, director of CADVC, Rap Research Lab is divided into discrete sections that can be experienced in any order. In 1973, DJ Kool Herc, a Jamaican immigrant now considered one of the founding fathers of hip hop, hosted with his sister the “Back to School Jam” in the recreation room of their Bronx apartment building, an event now regarded as the advent of hip hop.įive decades later, hip hop has indelibly influenced contemporary culture - from dance and fashion to advertising and cinema. Yet “Rapper’s Delight” heralded a cultural moment several years in the making. That steady, percussion-like delivery of lyrics layered over that familiar, bouncing bass line combined to create the perfect remedy to the excesses of pop music in the late ’70s. Excerpt: The Sugar Hill Gang’s 1979 hit “Rapper’s Delight” is often considered the first hip-hop track.
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